VA310 Advanced Drawing I

Course Code	Course Title			Weekly Hours*		ECTS		Weekly Class Schedule
				T	P
VA310	Advanced Drawing I			0	3	6		Friday 12:00-15:00
Prerequisite	Junior Standing		It is a prerequisite to	None
Lecturer	Roman Sulejmanpašić		Office Hours / Room / Phone	Monday: 13:00-16:00 Thursday: 10:00-13:00 B F2.23 - 033 957 324
E-mail	rsulejmanpasic@ius.edu.ba
Assistant			Assistant E-mail
Course Objectives	" The aims of this course are to: • Give students the tools to develop a sophisticated and rigorous body of work • Give students the tools to evaluate both formal and conceptual dimensions of their studio practice • Offer students an expanded understanding and definition of what drawing is and how they, as artists mark the world • Give students a greater understanding of and experience with drawing materials that are both traditional and inventive"
Textbook	Drawing from observation, Brian Curtis
Additional Literature	Rapid Viz: A New Method for the Rapid Visualization of Ideas 3rd Edition by Kurt Hanks How to Draw: drawing and sketching objects and environments from your imagination Paperback – December 15, 2013 by Scott Robertson (Author, Editor), Thomas Bertling (Author)
Learning Outcomes	After successful completion of the course, the student will be able to:
	Utilize advanced composition techniques while manipulating the rules to communicate mood/meaning Develop a personal voice as shown in individual artwork development Develop advanced drawing techniques including observation, representation, and reflection with a variety of drawing media Develop and apply learned skills to figure drawing Utilize drawing from observation to imagination
Teaching Methods	Activity in debates, presentations, writen assignment, midterm paper, final assingment, self-evaluation.
Teaching Method Delivery	Hybrid / blended	Teaching Method Delivery Notes
WEEK	TOPIC						REFERENCE
Week 1	Introduction to the course, policies and course material						FAQ, Course manual
Week 2	Gesture Drawing						Rapid Viz, Kurt Hanks and Larry Belliston
Week 3	"Seeing Through" Forms						Drawing from observation, Brian Curtis
Week 4	"Seeing Through" Forms 2 Complex Objects						Glenn Vilppu, drawing manual
Week 5	"Seeing Through" Forms 3 Grouped Objects						Keys to Drawing with Imagination, Bert Dodson
Week 6	Inventing Form						Betty Edwards: “Drawing on the Right Side of the Brain”
Week 7	Invent a Still Life						Drawing from observation, Brian Curtis
Week 8	Character Breakdown						Rapid Viz, Kurt Hanks and Larry Belliston
Week 9	MIDTERM SUBMITION
Week 10	Architecture Breakdown						Keys to Drawing with Imagination, Bert Dodson
Week 11	Invent a Robot / Vehicle						Glenn Vilppu, drawing manual
Week 12	Combining / Inventing imagery						Framed Ink, Drawing and composition for visual storytellers, Marcos Mateu-Mestre
Week 13	Invent a Birdhouse						Drawing from observation, Brian Curtis
Week 14	Portfolio Development						How to be an Illustrator, Darrel Rees
Week 15	Final Assignment / Final Exam / Final review of the course						presentations / discussions

Assessment Methods and Criteria	Evaluation Tool	Quantity	Weight	Alignment with LOs
	Final Assignment	1	20	1,2,5
	Semester Evaluation Components
	Attendance/activity/Critique	2	15	2,4,5
	Assingnments/Drawings-completed outside of class	7	20	1,2,3,5
	Student Disseminations and Reviews	2	15	1,2,4
	Assignments / Presentations	7	30	1,3,4,5
* ECTS Credit Calculation *

Activity	Hours	Weeks	Student Workload Hours	Activity	Hours	Weeks	Student Workload Hours
Lecture Hours	1	15	15	Assignments / Presentations	2	15	30
Attendance/activity/Critique	1	15	15	Student Disseminations and Reviews	1	15	15
Assignments/Drawings-completed outside of class	3	15	45	Final Assignment / Final Exam	15	2	30
				Total Workload Hours =			150
*T= Teaching, P= Practice				ECTS Credit =			6
Course Academic Quality Assurance: Semester Student Survey						Last Update Date: 08/04/2024

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