Syllabus | International University of Sarajevo - Last Update on Mar 03, 2026
Course Lecturer
" The aims of this course are to: • Identify the works of major artists from the modern and contemporary periods as well as the major stylistic characteristics of these periods • Discuss the specific properties of various media (oil painting, photography, film, video, installation) • Analyze the formal elements of a work of art using the proper vocabulary of the discipline • Translate the formal and conceptual features of a given style or period into images of their own making "
After successful completion of the course, the student will be able to:
Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015
| Week | Topic | Readings / References |
|---|---|---|
| 1 | Introduction to the course, policies and course material | FAQ, Course manual |
| 2 | Discusion: Who are we as artists? | presentations / discussions |
| 3 | Utilising Medium in communicating content | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 |
| 4 | Visual Persuasion | Universal Principles of Design, by Lidwell, Holden, and Butler |
| 5 | Persuasion vs Propaganda | Envisioning Information, by Edward Tufte |
| 6 | Stereotypes in art | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 |
| 7 | Discusion: Exhibition | presentations / discussions |
| 8 | MIDTERM SUBMITION | |
| 9 | Digital Technology as a Medium | Envisioning Information, by Edward Tufte |
| 10 | Contempoary aesthetics | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 |
| 11 | Contemporary issues in Art | Universal Principles of Design, by Lidwell, Holden, and Butler |
| 12 | Future of Media | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 |
| 13 | Art, web and beyond | Universal Principles of Design, by Lidwell, Holden, and Butler |
| 14 | Dissemination and discussion of artwork | presentations / discussions |
| 15 | Final Assignment / Final Exam / Final review of the course | presentations / discussions |
| Section | Type | Day 1 | Venue 1 | Day 2 | Venue 2 |
|---|---|---|---|---|---|
| VA300.1 | Course | - | - | - | - |
Alignment with Learning Outcomes : 1 2 4
Alignment with Learning Outcomes : 3 4 5
Alignment with Learning Outcomes : 2 3 5
Alignment with Learning Outcomes : 1 2 5
Alignment with Learning Outcomes : 1 4 5
| Grading Scale | IUS Grading System | IUS Coeff. | Letter (B&H) | Numerical (B&H) |
|---|---|---|---|---|
| 0 - 44 | F | 0 | F | 5 |
| 45 - 54 | E | 1 | ||
| 55 - 64 | C | 2 | E | 6 |
| 65 - 69 | C+ | 2.3 | D | 7 |
| 70 -74 | B- | 2.7 | ||
| 75 - 79 | B | 3 | C | 8 |
| 80 - 84 | B+ | 3.3 | ||
| 85 - 94 | A- | 3.7 | B | 9 |
| 95 - 100 | A | 4 | A | 10 |
Information about late submission policies will be shared during class and posted in this section. Please check back for official guidelines.
This 6 ECTS credit course corresponds to 150 hours of total student workload, distributed as follows:
15 hours ⏳ (15 week × 1 h)
30 hours ⏳ (15 week × 2 h)
15 hours ⏳ (15 week × 1 h)
15 hours ⏳ (15 week × 1 h)
45 hours ⏳ (3 week × 15 h)
27 hours ⏳ (3 week × 9 h)
150 Total Workload Hours
6 ECTS Credits
All work submitted must be your own. Plagiarism, cheating, or any form of academic dishonesty will result in disciplinary action according to university policies. When in doubt about citation practices, consult the instructor.
Students are expected to adhere to the attendance requirements as outlined in the International University of Sarajevo Study Rules and Regulations. Excessive absences, whether excused or unexcused, may impact academic performance and eligibility for assessment. Mandatory sessions (e.g., labs, workshops) require attendance unless formally exempted. For detailed policies on absences, documentation, and penalties, please refer to the official university regulations.
Laptops/tablets may be used for note-taking only during lectures. Phones should be silenced and put away during all class sessions. Audio/video recording requires prior permission from the instructor.
Artificial Intelligence (AI) Usage: The use of AI tools (e.g., ChatGPT, Copilot, Gemini) varies by assessment component. Please refer to the AI usage indicator next to each assessment item in the Assessment Methods and Criteria section above. Submitting AI-generated content as your own work, where AI is not explicitly allowed, constitutes an academic integrity violation.
All course-related communication should occur through official university channels (institutional email or SIS). Emails should include [VA300] in the subject line.
Course Academic Quality Assurance is achieved through Semester Student Survey. At the end of each academic year, the institution of higher education is obliged to evaluate work of the academic staff, or the success of realization of the curricula.
Be prepared to contribute thoughtfully during class discussions, labs, or collaborative work. Active participation deepens understanding and encourages critical thinking.
Complete assigned readings or prep materials before class. Take notes, highlight key ideas, and jot down questions. Aim to grasp core concepts and their applications—not just facts.
Use course frameworks or methodologies to analyze problems, case studies, or projects. Begin early to allow time for reflection and refinement. Seek feedback to improve your work.
Don’t hesitate to reach out when something is unclear. Use office hours, discussion boards, or peer networks to clarify concepts and stay on track.
Syllabus Last Updated on Mar 03, 2026 | International University of Sarajevo
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Referencing Curricula Print this page
| Course Code | Course Title | Weekly Hours* | ECTS | Weekly Class Schedule | ||||||
| T | P | |||||||||
| VA300 | Contemporary Art Expression II | 1 | 2 | 6 | ||||||
| Prerequisite | Junior Standing | It is a prerequisite to | - | |||||||
| Lecturer | Nejira Mulahmetović | Office Hours / Room / Phone | ||||||||
| nmulahmetovic@ius.edu.ba | ||||||||||
| Assistant | Assistant E-mail | |||||||||
| Course Objectives | " The aims of this course are to: • Identify the works of major artists from the modern and contemporary periods as well as the major stylistic characteristics of these periods • Discuss the specific properties of various media (oil painting, photography, film, video, installation) • Analyze the formal elements of a work of art using the proper vocabulary of the discipline • Translate the formal and conceptual features of a given style or period into images of their own making " |
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| Textbook | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 | |||||||||
| Additional Literature | ||||||||||
| Learning Outcomes | After successful completion of the course, the student will be able to: | |||||||||
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| Teaching Methods | Activity in debates, presentations, writen assignment, midterm paper, final assingment, self-evaluation. | |||||||||
| Teaching Method Delivery | Teaching Method Delivery Notes | |||||||||
| WEEK | TOPIC | REFERENCE | ||||||||
| Week 1 | Introduction to the course, policies and course material | FAQ, Course manual | ||||||||
| Week 2 | Discusion: Who are we as artists? | presentations / discussions | ||||||||
| Week 3 | Utilising Medium in communicating content | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 | ||||||||
| Week 4 | Visual Persuasion | Universal Principles of Design, by Lidwell, Holden, and Butler | ||||||||
| Week 5 | Persuasion vs Propaganda | Envisioning Information, by Edward Tufte | ||||||||
| Week 6 | Stereotypes in art | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 | ||||||||
| Week 7 | Discusion: Exhibition | presentations / discussions | ||||||||
| Week 8 | MIDTERM SUBMITION | |||||||||
| Week 9 | Digital Technology as a Medium | Envisioning Information, by Edward Tufte | ||||||||
| Week 10 | Contempoary aesthetics | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 | ||||||||
| Week 11 | Contemporary issues in Art | Universal Principles of Design, by Lidwell, Holden, and Butler | ||||||||
| Week 12 | Future of Media | Christiane Paul, Digital Art, Third Edition, Thames & Hudson, New York, 2015 | ||||||||
| Week 13 | Art, web and beyond | Universal Principles of Design, by Lidwell, Holden, and Butler | ||||||||
| Week 14 | Dissemination and discussion of artwork | presentations / discussions | ||||||||
| Week 15 | Final Assignment / Final Exam / Final review of the course | presentations / discussions | ||||||||
| Assessment Methods and Criteria | Evaluation Tool | Quantity | Weight | Alignment with LOs | AI Usage |
| Final Exam / Final Assignment | 1 | 30 | 1,2,4 | Not Allowed | |
| Semester Evaluation Components | |||||
| Attendance / Activity / Critique | 2 | 10 | 3,4,5 | Not Allowed | |
| Assingnments / Presentations | 2 | 20 | 2,3,5 | Not Allowed | |
| Student Disseminations and Reviews | 2 | 20 | 1,2,5 | Not Allowed | |
| Midterm Paper | 2 | 20 | 1,4,5 | Not Allowed | |
| *** ECTS Credit Calculation *** | |||||
| Activity | Hours | Weeks | Student Workload Hours | Activity | Hours | Weeks | Student Workload Hours | |||
| Lecture Hours | 1 | 15 | 15 | Assignments / Presentations | 2 | 15 | 30 | |||
| Attendance / Activity / Critique | 1 | 15 | 15 | Student Disseminations and Reviews | 1 | 15 | 15 | |||
| Midterm Paper | 15 | 3 | 45 | Final Assignment / Final Exam | 9 | 3 | 27 | |||
| Total Workload Hours = | 147 | |||||||||
| *T= Teaching, P= Practice | ECTS Credit = | 6 | ||||||||
| Course Academic Quality Assurance: Semester Student Survey | Last Update Date: 27/03/2026 | |||||||||