Course Summary Course Objectives Learning Outcomes Course Materials Teaching Methods Weekly Topics Course Schedule Office Hours Assestment ECTS Calculation Course Policies Learning Tips Print Syllabi Download as PNG

VA416 Design Studio II

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Visual Arts and Visual Communications Design

Spring 2025 - 2026 | 6 ECTS Credits | International University of Sarajevo

Academic Year
2025 - 2026
Semester
Spring
Course Code
VA416
Weekly Hours
0 Teaching + 3 Practice
ECTS
6
Prerequisites
Senior Standing
Teaching Mode Delivery
Face-to-face
Prerequisite For
-
Teaching Mode Delivery Notes
-
Cycle
I Cycle
Prof. Jane Doe

Emir Hambo

Course Lecturer

Position
Assistant Professor Dr.
Email
ehambo@ius.edu.ba
Phone
033 957 302
Assistant(s)
-
Assistant E-mail
-

Course Objectives

The aim of this course is to enable students to employ all of the theoretical and practical knowledge acquired previously and to create 2-5 fundamental pieces of creative work for their portfolios or digital demo-reels.

Learning Outcomes

After successful completion of the course, the student will be able to:

1
Access the industry with the high quality work that best represents their knowledge and creative skill in the creative industry
2
Demonstrate the abilities and technical skills through the high quality projects
3
Gain knowledge about the design industry and professional development
4
Produce and critique projects that coordinate descriptive and expressive possibilities of modern media
5
Promote development-oriented policies that support productive activities, decent job creation, entrepreneurship, creativity and innovation, and encourage the formalization and growth of micro-, small- and medium-sized enterprises, in line with SDG's 8.3

Course Materials

Required Textbook

Multiple sources related to individual projects that are changing from Semester to Semester (Text books, web, articles, digital material)

Additional Literature
TBD accordingly

Teaching Methods

Lectures
Discussions
Individual work
Constructive criticism

Weekly Topics

This weekly planning is subject to change with advance notice.
Week Topic Readings / References
1 Introduction to the course, policies and course material. discussion
Introduction to Semester based project. 
Alphabet of Bosnia: Visualizing Space, Memory & Identity
2 Project Launch: Space as Sign Q/A Session.
Lecture Topics:
  • Alphabet as system
  • Space as cultural text
  • Introduction to semiotics:
  1. Ferdinand de Saussure
  2. Roland Barthes

In-class Exercise:Students list 30 potential Bosnian “entries” without censorship.
Homework:Personal positionality statement (Why Bosnia? Why this approach?)Raw A–Z draft list (minimum 40 options)
3 Defining the Framework discussion / evaluation
Students choose their angle:
  • Political Alphabet
  • Natural Alphabet
  • Ritual Alphabet
  • Contested Alphabet
  • Personal/Autobiographical Alphabet
  • Industrial/Nostalgia Alphabet

Deliverable:
  • 2-page Concept Proposal
  • Refined A–Z list (30 confirmed entries)

Research referencesInstructor approval required before production begins.
4 Field Research & Mapping discussion / evaluation
Student must:
  • Visit at least 3 locations
  • Collect original photo/video material
  • Conduct at least 1 short interview OR archive research

Deliverable:
  • Research documentation PDF
  • Visual reference board
  • Narrative map (how letters connect conceptually)
5 System Design discussion / evaluation
Goal: Build ONE visual system applied to all letters.
Students define:
  • Grid
  • Typography
  • Image logic
  • Color restriction
  • Hierarchy rules

Deliverable:
  • Style Guide (5–8 pages)
  • 3 fully designed letters (test cases)
6 PRODUCTION & NARRATIVE BUILDING: Letters A–Đ discussion / evaluation
Goal: Construct the full alphabet within a coherent visual logic.Letters A–Đ
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 8 completed letters 
7 PRODUCTION & NARRATIVE BUILDING: Letters E–K discussion / evaluation
Goal: Construct the full alphabet within a coherent visual logic.Letters E–K
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 15 completed letters 
8 MIDTERM - Progress presentation Midterm Review
9 PRODUCTION & NARRATIVE BUILDING: Letters L–R discussion / evaluation
Goal: Construct the full alphabet within a coherent visual logic.Letters L–R
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:23 completed letters 
10 PRODUCTION & NARRATIVE BUILDING: Letters S–Z discussion / evaluation
Goal: Construct the full alphabet within a coherent visual logic.Letters S–Z
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 30 completed letters 
11 Narrative Restructuring discussion / evaluation
Alphabet is now questioned.
Students decide:
  • Keep A–Z order?
  • Rearrange thematically?
  • Insert contrast points?

Deliverable:
  • Revised sequencing proposal
  • 500-word narrative explanation
12 Medium Decision discussion / evaluation
Students choose final format:
  • Poster series
  • Designed publication
  • Motion design reel
  • Installation
  • Hybrid

Deliverable:
  • Production plan
  • Technical specifications
13 Advanced Layer discussion / evaluation
Students must add:1 Data-based element (statistic, demographic, archival data)1 “Silent Letter” (absence, erased space, or political void)1 Contradictory Letter (challenging dominant narrative)
Deliverable:Integrated revisions
14 Field trip Visit to printing company
15 Digital Exhibition Launch and Reflection Review

Detailed Weekly Plan

Week 1: Introduction to the course, policies and course material.
Introduction to Semester based project. 
Alphabet of Bosnia: Visualizing Space, Memory & Identity
Week 2: Project Launch: Space as Sign
Lecture Topics:
  • Alphabet as system
  • Space as cultural text
  • Introduction to semiotics:
  1. Ferdinand de Saussure
  2. Roland Barthes

In-class Exercise:Students list 30 potential Bosnian “entries” without censorship.
Homework:Personal positionality statement (Why Bosnia? Why this approach?)Raw A–Z draft list (minimum 40 options)
Week 3: Defining the Framework
Students choose their angle:
  • Political Alphabet
  • Natural Alphabet
  • Ritual Alphabet
  • Contested Alphabet
  • Personal/Autobiographical Alphabet
  • Industrial/Nostalgia Alphabet

Deliverable:
  • 2-page Concept Proposal
  • Refined A–Z list (30 confirmed entries)

Research referencesInstructor approval required before production begins.
Week 4: Field Research & Mapping
Student must:
  • Visit at least 3 locations
  • Collect original photo/video material
  • Conduct at least 1 short interview OR archive research

Deliverable:
  • Research documentation PDF
  • Visual reference board
  • Narrative map (how letters connect conceptually)
Week 5: System Design
Goal: Build ONE visual system applied to all letters.
Students define:
  • Grid
  • Typography
  • Image logic
  • Color restriction
  • Hierarchy rules

Deliverable:
  • Style Guide (5–8 pages)
  • 3 fully designed letters (test cases)
Week 6: PRODUCTION & NARRATIVE BUILDING: Letters A–Đ
Goal: Construct the full alphabet within a coherent visual logic.Letters A–Đ
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 8 completed letters 
Week 7: PRODUCTION & NARRATIVE BUILDING: Letters E–K
Goal: Construct the full alphabet within a coherent visual logic.Letters E–K
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 15 completed letters 
Week 9: PRODUCTION & NARRATIVE BUILDING: Letters L–R
Goal: Construct the full alphabet within a coherent visual logic.Letters L–R
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:23 completed letters 
Week 10: PRODUCTION & NARRATIVE BUILDING: Letters S–Z
Goal: Construct the full alphabet within a coherent visual logic.Letters S–Z
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 30 completed letters 
Week 11: Narrative Restructuring
Alphabet is now questioned.
Students decide:
  • Keep A–Z order?
  • Rearrange thematically?
  • Insert contrast points?

Deliverable:
  • Revised sequencing proposal
  • 500-word narrative explanation
Week 12: Medium Decision
Students choose final format:
  • Poster series
  • Designed publication
  • Motion design reel
  • Installation
  • Hybrid

Deliverable:
  • Production plan
  • Technical specifications
Week 13: Advanced Layer
Students must add:1 Data-based element (statistic, demographic, archival data)1 “Silent Letter” (absence, erased space, or political void)1 Contradictory Letter (challenging dominant narrative)
Deliverable:Integrated revisions

Course Schedule (All Sections)

SectionTypeDay 1Venue 1Day 2Venue 2
VA416.1 Course Tuesday 09:00 - 11:50 B F1.24 (MAC Studio) - -

Office Hours & Room

DayTimeOfficeNotes
Tuesday 15:00 - 17:00 B F2.25
Wednesday 10:00 - 12:00 B F2.25
Thursday 10:00 - 12:00 B F2.25
Friday 09:00 - 17:00 B F2.25 Research

Assessment Methods and Criteria

Assessment Components

30%x1
Final Exam
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 1  2  3  4  5

30%x1
Midterm Exam
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 1  2  3  4  5

10%x1
Concept & Research Development
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 1   3

10%x1
Visual System & Style Guide
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 2   4

10%x1
Process & Studio Engagement
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 2   4

5%x1
Narrative & Sequencing
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 1  2  3  4

5%x1
Experimental Layer
AI: Consult Instructor

Alignment with Learning Outcomes :  LO 2  4

IUS Grading System

Grading Scale IUS Grading System IUS Coeff. Letter (B&H) Numerical (B&H)
0 - 44 F 0 F 5
45 - 54 E 1
55 - 64 C 2 E 6
65 - 69 C+ 2.3 D 7
70 -74 B- 2.7
75 - 79 B 3 C 8
80 - 84 B+ 3.3
85 - 94 A- 3.7 B 9
95 - 100 A 4 A 10

IUS Grading System

Letter marks that do not affect student's CGPA:
  • "IP" – In progress is assigned for recording unfulfilled student obligations related to graduation project/thesis/dissertation and internship.
  • "S" – Satisfactory is assigned to a student who passed the examinations that are not numerically graded or whose written assignment has been accepted.
  • "U" – Unsatisfactory is assigned to a student who failed to pass the examinations that are not numerically graded.
  • "W" – Withdrawal signifies that student has withdrawn from the relevant course.
Additional letter mark that affects student's CGPA:

"N/A" – Not attending, and it is assigned to a student who is suspended from the course or who does not meet the minimal requirement for attendance on lectures or tutorials. The course lecturer must follow the attendance policy and assign "N/A" in each case of a student failing attendance.

Late Work Policy

Information about late submission policies will be shared during class and posted in this section. Please check back for official guidelines.

ECTS Credit Calculation

📚 Student Workload

This 6 ECTS credit course corresponds to 150 hours of total student workload, distributed as follows:

Lecture Hours

26 hours ⏳ (13 week × 2 h)

Assignments

45 hours ⏳ (9 week × 5 h)

Individual Learning

39 hours ⏳ (13 week × 3 h)

Work On Midterm Project

12 hours ⏳ (3 week × 4 h)

Work On Final Project

28 hours ⏳ (4 week × 7 h)

150 Total Workload Hours

6 ECTS Credits


Course Policies

Academic Integrity

All work submitted must be your own. Plagiarism, cheating, or any form of academic dishonesty will result in disciplinary action according to university policies. When in doubt about citation practices, consult the instructor.

Attendance Policy

Students are expected to adhere to the attendance requirements as outlined in the International University of Sarajevo Study Rules and Regulations. Excessive absences, whether excused or unexcused, may impact academic performance and eligibility for assessment. Mandatory sessions (e.g., labs, workshops) require attendance unless formally exempted. For detailed policies on absences, documentation, and penalties, please refer to the official university regulations.

Technology & AI Policy

Laptops/tablets may be used for note-taking only during lectures. Phones should be silenced and put away during all class sessions. Audio/video recording requires prior permission from the instructor.

Artificial Intelligence (AI) Usage: The use of AI tools (e.g., ChatGPT, Copilot, Gemini) varies by assessment component. Please refer to the AI usage indicator next to each assessment item in the Assessment Methods and Criteria section above. Submitting AI-generated content as your own work, where AI is not explicitly allowed, constitutes an academic integrity violation.

Communication Policy

All course-related communication should occur through official university channels (institutional email or SIS). Emails should include [VA416] in the subject line.

Academic Quality Assurance Policy

Course Academic Quality Assurance is achieved through Semester Student Survey. At the end of each academic year, the institution of higher education is obliged to evaluate work of the academic staff, or the success of realization of the curricula.

More info

Article 112: Evaluation of Work of the Academic Staff

  1. At the end of each academic year, the institution of higher education is obliged to evaluate work of the academic staff, or the success of realization of the curricula.
  2. Evaluation of work of each academic staff member is to be carried out in accordance with the Statute of the institution of higher education by the institution as well as by students.
  3. The institutions of higher education are obliged to carry out a students’ evaluation survey on the academic staff performance after the end of each semester, or after the completed teaching cycle for the subject taught.
  4. Evaluation must evaluate: lecture quality, student-academic staff interaction, correctness of communication, teacher’s attitudes towards students attending the teaching activities and at assessments, availability of suggested reading material, attendance and punctuality of the teacher, along with other criteria which are defined in the Statute.
  5. The institution of higher education by a specific act determines the procedure for evaluation of the academic staff performance, the content of survey forms, the manner of conducting the evaluation, grading criteria for the evaluation, as well as adequate measures for the academic staff who received negative evaluation for two consecutive years.
  6. The evaluation of the academic staff performance is an integral process of establishment the quality assurance system, or self-control and internal quality assurance.
  7. Results of the evaluation of the academic staff performance are to be adequately analyzed by the institution of higher education, and the decision of the head of the organizational unit about the employee’s work performance is an integral part of the personal file of each member of academic staff.

Learning Tips

Engage Actively

Be prepared to contribute thoughtfully during class discussions, labs, or collaborative work. Active participation deepens understanding and encourages critical thinking.

Read and Review Purposefully

Complete assigned readings or prep materials before class. Take notes, highlight key ideas, and jot down questions. Aim to grasp core concepts and their applications—not just facts.

Think Critically in Assignments

Use course frameworks or methodologies to analyze problems, case studies, or projects. Begin early to allow time for reflection and refinement. Seek feedback to improve your work.

Ask Questions Early

Don’t hesitate to reach out when something is unclear. Use office hours, discussion boards, or peer networks to clarify concepts and stay on track.

Course Academic Quality Assurance: Semester Student Survey

Syllabus Last Updated on Feb 02, 2026 | International University of Sarajevo

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Course Code Course Title Weekly Hours* ECTS Weekly Class Schedule
T P
VA416 Design Studio II 0 3 6 Tuesday 09:00 - 11:50
Prerequisite Senior Standing It is a prerequisite to -
Lecturer Emir Hambo Office Hours / Room / Phone
Tuesday:
15:00-17:00
Wednesday:
10:00-12:00
Thursday:
10:00-12:00
Friday:
9:00-17:00 Research
B F2.25 - 033 957 302
E-mail ehambo@ius.edu.ba
Assistant Assistant E-mail
Course Objectives The aim of this course is to enable students to employ all of the theoretical and practical knowledge acquired previously and to create 2-5 fundamental pieces of creative work for their portfolios or digital demo-reels.
Textbook Multiple sources related to individual projects that are changing from Semester to Semester (Text books, web, articles, digital material)
Additional Literature
  • TBD accordingly
Learning Outcomes After successful  completion of the course, the student will be able to:
  1. Access the industry with the high quality work that best represents their knowledge and creative skill in the creative industry
  2. Demonstrate the abilities and technical skills through the high quality projects
  3. Gain knowledge about the design industry and professional development
  4. Produce and critique projects that coordinate descriptive and expressive possibilities of modern media
  5. Promote development-oriented policies that support productive activities, decent job creation, entrepreneurship, creativity and innovation, and encourage the formalization and growth of micro-, small- and medium-sized enterprises, in line with SDG's 8.3
Teaching Methods Lectures, Discussions, Individual work, Constructive criticism
Teaching Method Delivery Face-to-face Teaching Method Delivery Notes
WEEK TOPIC REFERENCE
Week 1 Introduction to the course, policies and course material. discussion
Week 2 Project Launch: Space as Sign Q/A Session.
Week 3 Defining the Framework discussion / evaluation
Week 4 Field Research & Mapping discussion / evaluation
Week 5 System Design discussion / evaluation
Week 6 PRODUCTION & NARRATIVE BUILDING: Letters A–Đ discussion / evaluation
Week 7 PRODUCTION & NARRATIVE BUILDING: Letters E–K discussion / evaluation
Week 8 MIDTERM - Progress presentation Midterm Review
Week 9 PRODUCTION & NARRATIVE BUILDING: Letters L–R discussion / evaluation
Week 10 PRODUCTION & NARRATIVE BUILDING: Letters S–Z discussion / evaluation
Week 11 Narrative Restructuring discussion / evaluation
Week 12 Medium Decision discussion / evaluation
Week 13 Advanced Layer discussion / evaluation
Week 14 Field trip Visit to printing company
Week 15 Digital Exhibition Launch and Reflection Review
Assessment Methods and Criteria Evaluation Tool Quantity Weight Alignment with LOs AI Usage
Final Exam 1 30 LO 1,2,3,4,5 Consult Instructor
Semester Evaluation Components
Midterm Exam 1 30 LO 1,2,3,4,5 Consult Instructor
Concept & Research Development 1 10 LO 1, 3 Consult Instructor
Visual System & Style Guide 1 10 LO 2, 4 Consult Instructor
Process & Studio Engagement 1 10 LO 2, 4 Consult Instructor
Narrative & Sequencing 1 5 LO 1,2,3,4 Consult Instructor
Experimental Layer 1 5 LO 2,4 Consult Instructor
***     ECTS Credit Calculation     ***
 Activity Hours Weeks Student Workload Hours Activity Hours Weeks Student Workload Hours
Lecture Hours 2 13 26 Assignments 5 9 45
Individual Learning 3 13 39 Work On Midterm Project 4 3 12
Work On Final Project 7 4 28
        Total Workload Hours = 150
*T= Teaching, P= Practice ECTS Credit = 6
Course Academic Quality Assurance: Semester Student Survey Last Update Date: 24/02/2026
Detailed Weekly Plan
Week 1: Introduction to the course, policies and course material. Introduction to Semester based project. Alphabet of Bosnia: Visualizing Space, Memory & Identity
Week 2: Project Launch: Space as Sign Lecture Topics:Alphabet as systemSpace as cultural textIntroduction to semiotics:Ferdinand de SaussureRoland BarthesIn-class Exercise:Students list 30 potential Bosnian “entries” without censorship.Homework:Personal positionality statement (Why Bosnia? Why this approach?)Raw A–Z draft list (minimum 40 options)
Week 3: Defining the Framework Students choose their angle:Political AlphabetNatural AlphabetRitual AlphabetContested AlphabetPersonal/Autobiographical AlphabetIndustrial/Nostalgia AlphabetDeliverable:2-page Concept ProposalRefined A–Z list (30 confirmed entries)Research referencesInstructor approval required before production begins.
Week 4: Field Research & Mapping Student must:Visit at least 3 locationsCollect original photo/video materialConduct at least 1 short interview OR archive researchDeliverable:Research documentation PDFVisual reference boardNarrative map (how letters connect conceptually)
Week 5: System Design Goal: Build ONE visual system applied to all letters.Students define:GridTypographyImage logicColor restrictionHierarchy rulesDeliverable:Style Guide (5–8 pages)3 fully designed letters (test cases)
Week 6: PRODUCTION & NARRATIVE BUILDING: Letters A–Đ Goal: Construct the full alphabet within a coherent visual logic.Letters A–ĐFocus:Maintaining system integrityTesting pacingDeliverable:8 completed letters 
Week 7: PRODUCTION & NARRATIVE BUILDING: Letters E–K Goal: Construct the full alphabet within a coherent visual logic.Letters E–KFocus:Maintaining system integrityTesting pacingDeliverable:15 completed letters 
Week 9: PRODUCTION & NARRATIVE BUILDING: Letters L–R Goal: Construct the full alphabet within a coherent visual logic.Letters L–RFocus:Maintaining system integrityTesting pacingDeliverable:23 completed letters 
Week 10: PRODUCTION & NARRATIVE BUILDING: Letters S–Z Goal: Construct the full alphabet within a coherent visual logic.Letters S–ZFocus:Maintaining system integrityTesting pacingDeliverable:30 completed letters 
Week 11: Narrative Restructuring Alphabet is now questioned.Students decide:Keep A–Z order?Rearrange thematically?Insert contrast points?Deliverable:Revised sequencing proposal500-word narrative explanation
Week 12: Medium Decision Students choose final format:Poster seriesDesigned publicationMotion design reelInstallationHybridDeliverable:Production planTechnical specifications
Week 13: Advanced Layer Students must add:1 Data-based element (statistic, demographic, archival data)1 “Silent Letter” (absence, erased space, or political void)1 Contradictory Letter (challenging dominant narrative)Deliverable:Integrated revisions

Detailed Weekly Plan

Week 1: Introduction to the course, policies and course material.
Introduction to Semester based project. 
Alphabet of Bosnia: Visualizing Space, Memory & Identity
Week 2: Project Launch: Space as Sign
Lecture Topics:
  • Alphabet as system
  • Space as cultural text
  • Introduction to semiotics:
  1. Ferdinand de Saussure
  2. Roland Barthes

In-class Exercise:Students list 30 potential Bosnian “entries” without censorship.
Homework:Personal positionality statement (Why Bosnia? Why this approach?)Raw A–Z draft list (minimum 40 options)
Week 3: Defining the Framework
Students choose their angle:
  • Political Alphabet
  • Natural Alphabet
  • Ritual Alphabet
  • Contested Alphabet
  • Personal/Autobiographical Alphabet
  • Industrial/Nostalgia Alphabet

Deliverable:
  • 2-page Concept Proposal
  • Refined A–Z list (30 confirmed entries)

Research referencesInstructor approval required before production begins.
Week 4: Field Research & Mapping
Student must:
  • Visit at least 3 locations
  • Collect original photo/video material
  • Conduct at least 1 short interview OR archive research

Deliverable:
  • Research documentation PDF
  • Visual reference board
  • Narrative map (how letters connect conceptually)
Week 5: System Design
Goal: Build ONE visual system applied to all letters.
Students define:
  • Grid
  • Typography
  • Image logic
  • Color restriction
  • Hierarchy rules

Deliverable:
  • Style Guide (5–8 pages)
  • 3 fully designed letters (test cases)
Week 6: PRODUCTION & NARRATIVE BUILDING: Letters A–Đ
Goal: Construct the full alphabet within a coherent visual logic.Letters A–Đ
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 8 completed letters 
Week 7: PRODUCTION & NARRATIVE BUILDING: Letters E–K
Goal: Construct the full alphabet within a coherent visual logic.Letters E–K
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 15 completed letters 
Week 9: PRODUCTION & NARRATIVE BUILDING: Letters L–R
Goal: Construct the full alphabet within a coherent visual logic.Letters L–R
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:23 completed letters 
Week 10: PRODUCTION & NARRATIVE BUILDING: Letters S–Z
Goal: Construct the full alphabet within a coherent visual logic.Letters S–Z
Focus:
  • Maintaining system integrity
  • Testing pacing

Deliverable:
  • 30 completed letters 
Week 11: Narrative Restructuring
Alphabet is now questioned.
Students decide:
  • Keep A–Z order?
  • Rearrange thematically?
  • Insert contrast points?

Deliverable:
  • Revised sequencing proposal
  • 500-word narrative explanation
Week 12: Medium Decision
Students choose final format:
  • Poster series
  • Designed publication
  • Motion design reel
  • Installation
  • Hybrid

Deliverable:
  • Production plan
  • Technical specifications
Week 13: Advanced Layer
Students must add:1 Data-based element (statistic, demographic, archival data)1 “Silent Letter” (absence, erased space, or political void)1 Contradictory Letter (challenging dominant narrative)
Deliverable:Integrated revisions

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