Course Summary Course Objectives Learning Outcomes Course Materials Teaching Methods Weekly Topics Course Schedule Office Hours Assestment ECTS Calculation Course Policies Learning Tips Print Syllabi Download as PNG

VA523 Fields of Design

Syllabus   |  International University of Sarajevo  -  Last Update on Jan 01, 2026

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Visual Arts and Visual Communications Design

Fall 2025 - 2026 | 9 ECTS Credits | International University of Sarajevo

Academic Year
2025 - 2026
Semester
Fall
Course Code
VA523
Weekly Hours
3 Teaching + 0 Practice
ECTS
9
Prerequisites
None
Teaching Mode Delivery
Face-to-face
Prerequisite For
-
Teaching Mode Delivery Notes
-
Cycle
II Cycle
Prof. Jane Doe

TBA

Course Lecturer

Position
-
Email
tba@ius.edu.ba
Phone
033 957 -
Assistant(s)
-
Assistant E-mail
-

Course Objectives

• To give comprehensive knowledge on the basic qualities of the design category, on various classifications of design fields and their basic historical settings • To memorize basic facts on design in the 20th and the 21st c. - historical and non-historical lines (diachronic and synchronic review) • Different contemporary and modern visual languages and concepts (different fields of design) should be adopted

Learning Outcomes

After successful completion of the course, the student will be able to:

1
Understand the general role of design and design fields within modern, postmodern and contemporary visual culture
2
Apply theoretical knowledge based on historical examples for designing of new visual communication
3
Understand connections and disconnections of design to arts and conversely

Course Materials

Required Textbook

• Christopher, Alexander (1964). Notes on the Synthesis of Form, Harvard University Press • Frampton, Keneth. (2007, rev. ed.). Critical History of Modern Architecture. Thames & Hudson. • Hauffe, Thomas. (1998). Design - A Concise History. Laurence King, London

Additional Literature
• Hollis, Richard. (1994). Graphic Design – A Concise History . Thames and Hudson. • Poynor, Rick. (2003). No More Rules. Laurence King Publishing, London • Janson, H.W. Janson, Anthony F. (1997). History of Art. Thames and Hudson. • Booth-Clibborn, E., Baroni, D. (1980). The Language of Graphics. Harry N.Abrams, Inc., Publishers, New York

Teaching Methods

Lecture: Power Point presentations; discussions; consultations; in situ analysis (possibility)

Weekly Topics

This weekly planning is subject to change with advance notice.
Week Topic Readings / References
1 Introduction to the Synthesis of form. From-context theory of design by Christopher Alexander. Christopher
2 Sociology of communication - context that shaped movments Janson, Edward Booth - Clibborn and Daniele Baroni
3 Between functionality and aesthetics in design communication: from Jules Cheret to the new Four dimensional view Edward Booth - Clibborn and Daniele Baroni
4 Structuralization and specialization of design fields - period before WWI (Streamline design, Graphic arts in USA - art director and graphic design) estimate. Two-sample estimation problems. Hollis
5 Art Deco; the idea of unification of various fields of design and their technics - standardization and total design Hollis
6 Postwar situation - Diversification and aesthetic issue: Ulm school for design and good form Hauffe
7 In-term exam (Essay paper - 1) - presentations and defend
8 In-term exam (Essay paper - 1) - presentations and defend
9 Postwar Design Context - Scandinavian school for design, Italian school and bell form,USA and styling in design Hauffe
10 Postmodern situation and semiotics in the context of design. Introduction to the concept "Talking architecture and design"- -design communicates massage beyond aesthetics, communicative role of design Poynor, Philip B. Meggs
11 Punk design, deconstructivism in design, New Wave Poynor, Philip B. Meggs
12 Italian postmodern leadership - groups of Alchimia and Memphis Hauffe, Poynor, Philip B. Meggs
13 Miesism (concept of minimalistic form) vs Gehryism (concept of curved form). Frampton, Poynor, Philip B. Meggs
14 New fields of design - multimedia (unimedia) and design of visual communications. Contemporary situation and new concept of unification of design fields - trends in designs. Janson, Poynor
15 Final exam (Essay paper - 2) - presentations and defend

Course Schedule (All Sections)

SectionTypeDay 1Venue 1Day 2Venue 2
VA523.1 Course Thursday 17:00 - 19:50 B F1.10 Class/ART Studio - -

Office Hours & Room

Course Office hours will be available here soon.

Assessment Methods and Criteria

Assessment Components

40%x1
Final Exam
AI: Not Allowed

Alignment with Learning Outcomes :  1  2  3

18%x1
Midterm exam
AI: Not Allowed

Alignment with Learning Outcomes :  1  2  3

42%x4
Assignments
AI: Not Allowed

Alignment with Learning Outcomes :  1  2  3

IUS Grading System

Grading Scale IUS Grading System IUS Coeff. Letter (B&H) Numerical (B&H)
0 - 44 F 0 F 5
45 - 54 E 1
55 - 64 C 2 E 6
65 - 69 C+ 2.3 D 7
70 -74 B- 2.7
75 - 79 B 3 C 8
80 - 84 B+ 3.3
85 - 94 A- 3.7 B 9
95 - 100 A 4 A 10

IUS Grading System

Letter marks that do not affect student's CGPA:
  • "IP" – In progress is assigned for recording unfulfilled student obligations related to graduation project/thesis/dissertation and internship.
  • "S" – Satisfactory is assigned to a student who passed the examinations that are not numerically graded or whose written assignment has been accepted.
  • "U" – Unsatisfactory is assigned to a student who failed to pass the examinations that are not numerically graded.
  • "W" – Withdrawal signifies that student has withdrawn from the relevant course.
Additional letter mark that affects student's CGPA:

"N/A" – Not attending, and it is assigned to a student who is suspended from the course or who does not meet the minimal requirement for attendance on lectures or tutorials. The course lecturer must follow the attendance policy and assign "N/A" in each case of a student failing attendance.

Late Work Policy

Information about late submission policies will be shared during class and posted in this section. Please check back for official guidelines.

ECTS Credit Calculation

📚 Student Workload

This 9 ECTS credit course corresponds to 225 hours of total student workload, distributed as follows:

Lecture hours

39 hours ⏳ (13 week × 3 h)

Home study

70 hours ⏳ (14 week × 5 h)

Midterm study

20 hours ⏳ (2 week × 10 h)

Final Exam study

26 hours ⏳ (2 week × 13 h)

Assignments

70 hours ⏳ (5 week × 14 h)

225 Total Workload Hours

9 ECTS Credits


Course Policies

Academic Integrity

All work submitted must be your own. Plagiarism, cheating, or any form of academic dishonesty will result in disciplinary action according to university policies. When in doubt about citation practices, consult the instructor.

Attendance Policy

Students are expected to adhere to the attendance requirements as outlined in the International University of Sarajevo Study Rules and Regulations. Excessive absences, whether excused or unexcused, may impact academic performance and eligibility for assessment. Mandatory sessions (e.g., labs, workshops) require attendance unless formally exempted. For detailed policies on absences, documentation, and penalties, please refer to the official university regulations.

Technology & AI Policy

Laptops/tablets may be used for note-taking only during lectures. Phones should be silenced and put away during all class sessions. Audio/video recording requires prior permission from the instructor.

Artificial Intelligence (AI) Usage: The use of AI tools (e.g., ChatGPT, Copilot, Gemini) varies by assessment component. Please refer to the AI usage indicator next to each assessment item in the Assessment Methods and Criteria section above. Submitting AI-generated content as your own work, where AI is not explicitly allowed, constitutes an academic integrity violation.

Communication Policy

All course-related communication should occur through official university channels (institutional email or SIS). Emails should include [VA523] in the subject line.

Academic Quality Assurance Policy

Course Academic Quality Assurance is achieved through Semester Student Survey. At the end of each academic year, the institution of higher education is obliged to evaluate work of the academic staff, or the success of realization of the curricula.

More info

Article 112: Evaluation of Work of the Academic Staff

  1. At the end of each academic year, the institution of higher education is obliged to evaluate work of the academic staff, or the success of realization of the curricula.
  2. Evaluation of work of each academic staff member is to be carried out in accordance with the Statute of the institution of higher education by the institution as well as by students.
  3. The institutions of higher education are obliged to carry out a students’ evaluation survey on the academic staff performance after the end of each semester, or after the completed teaching cycle for the subject taught.
  4. Evaluation must evaluate: lecture quality, student-academic staff interaction, correctness of communication, teacher’s attitudes towards students attending the teaching activities and at assessments, availability of suggested reading material, attendance and punctuality of the teacher, along with other criteria which are defined in the Statute.
  5. The institution of higher education by a specific act determines the procedure for evaluation of the academic staff performance, the content of survey forms, the manner of conducting the evaluation, grading criteria for the evaluation, as well as adequate measures for the academic staff who received negative evaluation for two consecutive years.
  6. The evaluation of the academic staff performance is an integral process of establishment the quality assurance system, or self-control and internal quality assurance.
  7. Results of the evaluation of the academic staff performance are to be adequately analyzed by the institution of higher education, and the decision of the head of the organizational unit about the employee’s work performance is an integral part of the personal file of each member of academic staff.

Learning Tips

Engage Actively

Be prepared to contribute thoughtfully during class discussions, labs, or collaborative work. Active participation deepens understanding and encourages critical thinking.

Read and Review Purposefully

Complete assigned readings or prep materials before class. Take notes, highlight key ideas, and jot down questions. Aim to grasp core concepts and their applications—not just facts.

Think Critically in Assignments

Use course frameworks or methodologies to analyze problems, case studies, or projects. Begin early to allow time for reflection and refinement. Seek feedback to improve your work.

Ask Questions Early

Don’t hesitate to reach out when something is unclear. Use office hours, discussion boards, or peer networks to clarify concepts and stay on track.

Course Academic Quality Assurance: Semester Student Survey

Syllabus Last Updated on Jan 01, 2026 | International University of Sarajevo

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Referencing Curricula Print this page

Course Code Course Title Weekly Hours* ECTS Weekly Class Schedule
T P
VA523 Fields of Design 3 0 9
Prerequisite None It is a prerequisite to -
Lecturer TBA Office Hours / Room / Phone
E-mail TBA
Assistant - Assistant E-mail
Course Objectives • To give comprehensive knowledge on the basic qualities of the design category, on various classifications of design fields and their basic historical settings

• To memorize basic facts on design in the 20th and the 21st c. - historical and non-historical lines (diachronic and synchronic review)

• Different contemporary and modern visual languages and concepts (different fields of design) should be adopted
Textbook • Christopher, Alexander (1964). Notes on the Synthesis of Form, Harvard University Press • Frampton, Keneth. (2007, rev. ed.). Critical History of Modern Architecture. Thames & Hudson. • Hauffe, Thomas. (1998). Design - A Concise History. Laurence King, London
Additional Literature
  • • Hollis, Richard. (1994). Graphic Design – A Concise History . Thames and Hudson.
  • • Poynor, Rick. (2003). No More Rules. Laurence King Publishing, London
  • • Janson, H.W. Janson, Anthony F. (1997). History of Art. Thames and Hudson.
  • • Booth-Clibborn, E., Baroni, D. (1980). The Language of Graphics. Harry N.Abrams, Inc., Publishers, New York
Learning Outcomes After successful  completion of the course, the student will be able to:
  1. Understand the general role of design and design fields within modern, postmodern and contemporary visual culture
  2. Apply theoretical knowledge based on historical examples for designing of new visual communication
  3. Understand connections and disconnections of design to arts and conversely
Teaching Methods Lecture: Power Point presentations; discussions; consultations; in situ analysis (possibility)
Teaching Method Delivery Face-to-face Teaching Method Delivery Notes
WEEK TOPIC REFERENCE
Week 1 Introduction to the Synthesis of form. From-context theory of design by Christopher Alexander. Christopher
Week 2 Sociology of communication - context that shaped movments Janson, Edward Booth - Clibborn and Daniele Baroni
Week 3 Between functionality and aesthetics in design communication: from Jules Cheret to the new Four dimensional view Edward Booth - Clibborn and Daniele Baroni
Week 4 Structuralization and specialization of design fields - period before WWI (Streamline design, Graphic arts in USA - art director and graphic design) estimate. Two-sample estimation problems. Hollis
Week 5 Art Deco; the idea of unification of various fields of design and their technics - standardization and total design Hollis
Week 6 Postwar situation - Diversification and aesthetic issue: Ulm school for design and good form Hauffe
Week 7 In-term exam (Essay paper - 1) - presentations and defend
Week 8 In-term exam (Essay paper - 1) - presentations and defend
Week 9 Postwar Design Context - Scandinavian school for design, Italian school and bell form,USA and styling in design Hauffe
Week 10 Postmodern situation and semiotics in the context of design. Introduction to the concept "Talking architecture and design"- -design communicates massage beyond aesthetics, communicative role of design Poynor, Philip B. Meggs
Week 11 Punk design, deconstructivism in design, New Wave Poynor, Philip B. Meggs
Week 12 Italian postmodern leadership - groups of Alchimia and Memphis Hauffe, Poynor, Philip B. Meggs
Week 13 Miesism (concept of minimalistic form) vs Gehryism (concept of curved form). Frampton, Poynor, Philip B. Meggs
Week 14 New fields of design - multimedia (unimedia) and design of visual communications. Contemporary situation and new concept of unification of design fields - trends in designs. Janson, Poynor
Week 15 Final exam (Essay paper - 2) - presentations and defend
Assessment Methods and Criteria Evaluation Tool Quantity Weight Alignment with LOs AI Usage
Final Exam 1 40 1,2,3 Not Allowed
Semester Evaluation Components
Midterm exam 1 18 1,2,3 Not Allowed
Assignments 4 42 1,2,3 Not Allowed
***     ECTS Credit Calculation     ***
 Activity Hours Weeks Student Workload Hours Activity Hours Weeks Student Workload Hours
Lecture hours 3 13 39 Home study 5 14 70
Midterm study 10 2 20 Final Exam study 13 2 26
Assignments 14 5 70
        Total Workload Hours = 225
*T= Teaching, P= Practice ECTS Credit = 9
Course Academic Quality Assurance: Semester Student Survey Last Update Date: 16/01/2026

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